https://lindseykrug.com Lindsey Krug Fri, 28 Feb 2025 01:11:19 +0000 https://lindseykrug.com en https://lindseykrug.com/Overview Mon, 08 Aug 2022 19:39:19 +0000 Lindsey Krug https://lindseykrug.com/Overview PROJECTS&nbsp; &nbsp; &nbsp; &nbsp;PUBLICATIONS&nbsp; &nbsp; &nbsp;&nbsp; TEACHING&nbsp; &nbsp; <img width="4983" height="3322" width_o="4983" height_o="3322" data-src="https://freight.cargo.site/t/original/i/ba161fb789ab1753ce85dd608b27fdeba224d35ce39fd995ef7bcd3dce3d6b9a/LK-SP.jpg" data-mid="171548640" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ba161fb789ab1753ce85dd608b27fdeba224d35ce39fd995ef7bcd3dce3d6b9a/LK-SP.jpg" /> 01 SUPREME PRIVACY An investigation into the spatial and architectural legacies of a series of seven landmark Supreme Court cases, beginning with Griswold v. Connecticut (1965) and ending with Dobbs v. Jackson Women's Health Organization (2022).Read more 2023 DES EXHRES <img width="2906" height="1937" width_o="2906" height_o="1937" data-src="https://freight.cargo.site/t/original/i/e428ade0fb837f20613ff4a81602cda1130bf6bda63f2db185ef051e60a75d5c/Camacho-Krug-Silling_Overstory_19.jpg" data-mid="227371566" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e428ade0fb837f20613ff4a81602cda1130bf6bda63f2db185ef051e60a75d5c/Camacho-Krug-Silling_Overstory_19.jpg" /> 02&nbsp;OVERSTORY A pavilion designed to provide a community stoop for Chicago’s Sinai Hospital, where you might find a nurse taking lunch, a visitor awaiting test results, a volunteer offering fresh flowers, or a passerby stopping to rest among neighbors. Read more 2024DES-BUI <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/954a40ed94d0b1c90e30300a2a905b408a525dcfbc4abd2b57d6476f7520563f/ROTCH_COVER.jpg" data-mid="228289951" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/954a40ed94d0b1c90e30300a2a905b408a525dcfbc4abd2b57d6476f7520563f/ROTCH_COVER.jpg" /> 03&nbsp;MONUMENTAL MAINTENANCE A new maintenance district for the city of Boston formed by an archipelago of monuments – small and large – for the communities past and present who take care of our environments and the materials that make it possible. Read more 2024COMDES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3d18d85fc513a96bfb81bc69e0d85cacab1ec56a3b9d2e718a6ed9bb3c3eab8e/DG06.png" data-mid="171548625" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/3d18d85fc513a96bfb81bc69e0d85cacab1ec56a3b9d2e718a6ed9bb3c3eab8e/DG06.png" /> 04&nbsp;DOLLAR GENTLE CYCLE A pop-up exhibition that gently cycles the resources of UW-Milwaukee’s School of Architecture through Dollar General Corporation in a vacant retail space on Milwaukee’s Historic Mitchell Street. Read more 2022 EXH RES <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a6cfc81af59ca4d19cb8c4c234365cc6ab579253c9c14014e9f671461d422463/sm2.jpg" data-mid="172488089" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/a6cfc81af59ca4d19cb8c4c234365cc6ab579253c9c14014e9f671461d422463/sm2.jpg" /> 05&nbsp;SOBREMESA A 9x9 meter pavilion with 9 tables near Alameda Central in Mexico City. Read more 2023 COM DES <img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/b60f6128da6bce2cc64a5f3621075bf73bc7973c887cdee5eff25e3c4031dba8/gugg-h-02.png" data-mid="149949586" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b60f6128da6bce2cc64a5f3621075bf73bc7973c887cdee5eff25e3c4031dba8/gugg-h-02.png" /> 06&nbsp;WOMEN OFFER YOU THINGS “Brings Out The Country In You!” reads the tagline for Country Woman Magazine. But who is she? Read more 2017-2020 EXHRES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0535f4e8a072d3fdf0fdef8c495986466dff70686c219cde0d34f614850d24b2/Bodies.png" data-mid="150206717" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0535f4e8a072d3fdf0fdef8c495986466dff70686c219cde0d34f614850d24b2/Bodies.png" /> 07&nbsp;BODIES WE BUILT In Chicago, a city aware but often indifferent to the mortality of its citizens, the institutional machine for the processing of dead bodies can be found at the Cook County Medical Examiner’s Office - the city morgue. Read more 2019 DES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d7f8761ded198d6a885504217986104c73f50a57ab0de981baec460040c7598d/dollar2.png" data-mid="150206718" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/d7f8761ded198d6a885504217986104c73f50a57ab0de981baec460040c7598d/dollar2.png" /> 08&nbsp;MONO POLY DOLLAR Nearly 1 in 3 new stores opening in the US is a Dollar General. The pandemic-fueled economic downturn coupled with the company’s retail innovations has resulted in an unprecedented proliferation of the dollar store economy. Read more On-going DESRESTEA <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/84539d2c217b0cf96b7ad566d614f4511ee5c39c406feb8df64bae85ebb3739e/whitehouse.png" data-mid="150206722" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/84539d2c217b0cf96b7ad566d614f4511ee5c39c406feb8df64bae85ebb3739e/whitehouse.png" /> 09&nbsp;EAT WHERE YOU SH*T As the Potomac River and Chesapeake Bay region sink from glacial rebound, waters rise from global glacial melt, and the Atlantic Gulf Stream weakens, the site of the American White House returns to its marshy, waterlogged origins: the swamp reclaims the South Lawn. Read more 2022 COMDES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/994864866c1ce7d064ee3a1b1c4c43eef00bb6622113b6f6454ea24d58c127e4/misfits.png" data-mid="150206719" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/994864866c1ce7d064ee3a1b1c4c43eef00bb6622113b6f6454ea24d58c127e4/misfits.png" /> 10&nbsp;MISFITS : OUTFITTING University of Wisconsin-Milwaukee students take a critical eye to multivalent and on-going relationship-forming interactions between human bodies and the environments and objects that surround them. Read more 2021 RES TEA <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e6a705b56da67db779867d556f71597a5b85a5aefd419f9bc1d49b3e0eb3ff59/thompson.png" data-mid="150206721" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e6a705b56da67db779867d556f71597a5b85a5aefd419f9bc1d49b3e0eb3ff59/thompson.png" /> 11&nbsp;NO HOLLYWOOD IN THE MIDWEST After decades of controversial pro- and anti-preservation efforts, the State of Illinois decides to maintain ownership of the Thompson Center property and form a Midwest entertainment conglomerate and film complex: Thompsonwood. Read more 2021 COMDES EXH <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4e6e5fc91b8d2bb0074a3bd38093c94173f438b9c70735fe2dc7340c80ae86be/ragdale.png" data-mid="150206720" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/4e6e5fc91b8d2bb0074a3bd38093c94173f438b9c70735fe2dc7340c80ae86be/ragdale.png" /> 12&nbsp;GOING NOWHERE FAST All the junkyard’s a stage: poetry atop a fender; ballet around tires; and acrobatics around an automobile. The spaces of order and disorder welcome interpretation, transgression, and play on the part of each set of performers. Read more 2021 COMDES <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/048dd84b792cccca7b30774fb8d6e17a28a8b607a7a4ad141cbc28b37714a2f4/2.png" data-mid="150491700" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/1000/i/048dd84b792cccca7b30774fb8d6e17a28a8b607a7a4ad141cbc28b37714a2f4/2.png" /> 13&nbsp;SAVE OUR SOILS To the detriment of climate activism, permafrost has not made its way into the public imagination as an entity in need of protection. A new publicity campaign is proposed for Yakutsk, Russia, the largest city in the world built on permafrost. Read more 2017-2020 EXH RES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/829bf141768cb437140cf28e616cc1f92334a0ac9c28c1e2b02878c4bf510276/worm2.png" data-mid="150216195" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/829bf141768cb437140cf28e616cc1f92334a0ac9c28c1e2b02878c4bf510276/worm2.png" /> 14&nbsp;ORDINARY WORMHOLES Extra-ordinary triple decker urbanism in Boston finds its footing through the anomalous window. Seven new typologies of triple decker neighborhoods enable residents to choose what amenities best suit their needs. Read more 2017 DES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/ae8c6a27ce81f5d780cfa1f5370a36ed162b05951c0cdba3d0639f2aad969135/experiments.png" data-mid="150484417" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ae8c6a27ce81f5d780cfa1f5370a36ed162b05951c0cdba3d0639f2aad969135/experiments.png" /> 15&nbsp;EXPERIMENTS IN PUBLIC FREEDOMS Five typologies of public spaces - the Neutral, the Contained, the Anarchic, the Normal, and the Blank - are explored through isometric drawings. Read more 2019 RES <img width="670" height="446" width_o="670" height_o="446" data-src="https://freight.cargo.site/t/original/i/744def85c2855cfa5b1bc5919d0c8d7563004eaae90ed0eb477206b9c8bdea08/Unrestrooms-15_670.jpg" data-mid="150491805" border="0" data-no-zoom src="https://freight.cargo.site/w/670/i/744def85c2855cfa5b1bc5919d0c8d7563004eaae90ed0eb477206b9c8bdea08/Unrestrooms-15_670.jpg" /> 16&nbsp;GENDERED GENERIC These spaces are real but they are not unique. Each space is represented through a pair of drawings that establishes an uncanny separation between an architectural stage set and the bodies and objects that inhabit it. Read more 2017 EXHRES <img width="7016" height="4677" width_o="7016" height_o="4677" data-src="https://freight.cargo.site/t/original/i/4ebd8dd00a8c9e8bc229381a769a8135688eb44efae8dc7653e4967912b9dc07/Krug_bricoLunchable.jpg" data-mid="228290799" border="0" src="https://freight.cargo.site/w/1000/i/4ebd8dd00a8c9e8bc229381a769a8135688eb44efae8dc7653e4967912b9dc07/Krug_bricoLunchable.jpg" /> 17 bricoLUNCHABLE For CARTHA 2024 Sincere Fun issue, the history, materiality, and construction techniques of the Lunchable are revisited through the lens of bricolage and Jack Halberstam’s “low theory,” coined in the 2011 book The Queer Art of Failure. Coming soon. 2024 <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/947ba3f5f285f53eee9ba4380cc77483014724064e0c2eb6613063b124358dcf/neufert.png" data-mid="173151738" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/947ba3f5f285f53eee9ba4380cc77483014724064e0c2eb6613063b124358dcf/neufert.png" /> 18 NEUFERT’S NIGHTMARE The history of architectural manuals for bodily accommodation reveals architecture’s canonical inability to indulge any excess of identity or physicality. Architecture’s systems of governance and commerce consume bodies at their most acquiescent, standardized, and behvaing.&nbsp; Coming soon. On-going DES <img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/656ceb20af43c31e4286fda148d34225af9409b670287e1a7239686d4dab7ba7/MSE.png" data-mid="150487990" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/656ceb20af43c31e4286fda148d34225af9409b670287e1a7239686d4dab7ba7/MSE.png" /> 19 MIDWEST STACK EXCHANGE The Midwest Stack Exchange brings together the 44 schools of architecture in the Midwest to establish a system for sharing resources, unedited dialogues, and new region-specific pedagogies. Collaboration with Sarah Aziz. Coming soon. On-going DESRES TEA https://lindseykrug.com/Publications Fri, 28 Feb 2025 01:11:19 +0000 Lindsey Krug https://lindseykrug.com/Publications PROJECTS&nbsp; &nbsp; &nbsp; &nbsp;PUBLICATIONS&nbsp; &nbsp; &nbsp;&nbsp; TEACHING <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/970cd677ac7fc8de8fa3e9b36e81a434888de6ecf70a9127e06fa50b0576b70b/disc.png" data-mid="227399951" border="0" data-no-zoom="true" alt="Disc 3.0 &quot;Reality TV Reconnaissance: Architectural Tactics and Tactical Architectures of Candid Camera, Love is Blind, and The Rehearsal&quot;" data-caption="Disc 3.0 &lt;br&gt;&lt;br&gt;&quot;Reality TV Reconnaissance: Architectural Tactics and Tactical Architectures of Candid Camera, Love is Blind, and The Rehearsal&quot;" src="https://freight.cargo.site/w/1000/i/970cd677ac7fc8de8fa3e9b36e81a434888de6ecf70a9127e06fa50b0576b70b/disc.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/ee7aa73f9dad32ff4409dd834638d5cea89544652a30b4148bce2d1ebab7c7b4/monu.png" data-mid="227399953" border="0" data-no-zoom="true" alt="MONU #37 &quot;Fair Fights: Gerrymandering, Malls, and Boundary-Driven Conflict in Milwaukee&quot;" data-caption="MONU #37 &lt;br&gt;&lt;br&gt;&quot;Fair Fights: Gerrymandering, Malls, and Boundary-Driven Conflict in Milwaukee&quot;" src="https://freight.cargo.site/w/1000/i/ee7aa73f9dad32ff4409dd834638d5cea89544652a30b4148bce2d1ebab7c7b4/monu.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/b6338687b7048c4caf80b804f749e0e2ccf7b18759e01fa492e5f5efdc35aea6/publicinteriority.png" data-mid="227399955" border="0" data-no-zoom="true" alt="Public Interiority: Exploring Interiors in the Public Realm &quot;Supreme Privacy: Seven Public Interiorities&quot;" data-caption="Public Interiority: Exploring Interiors in the Public Realm &lt;br&gt;&lt;br&gt;&quot;Supreme Privacy: Seven Public Interiorities&quot;" src="https://freight.cargo.site/w/1000/i/b6338687b7048c4caf80b804f749e0e2ccf7b18759e01fa492e5f5efdc35aea6/publicinteriority.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/85219fa9dfbc994b156e4812ab71ce41cd90b9d48a2e1bb6603e071a8d0f32f1/countryside.png" data-mid="227399950" border="0" data-no-zoom="true" alt="Countryside, a Report&quot;Thaw&quot;" data-caption="Countryside, a Report&lt;br&gt;&lt;br&gt;&quot;Thaw&quot;" src="https://freight.cargo.site/w/1000/i/85219fa9dfbc994b156e4812ab71ce41cd90b9d48a2e1bb6603e071a8d0f32f1/countryside.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/493411bb5901cfd0b20916b52c5d3bc5b76a2eb8c806b7560147270a4c247c61/pidgin.png" data-mid="227399954" border="0" data-no-zoom="true" alt="Pidgin 32&quot;Forget LEED: Dollar General to Save the Planet&quot;" data-caption="Pidgin 32&lt;br&gt;&lt;br&gt;&quot;Forget LEED: Dollar General to Save the Planet&quot;" src="https://freight.cargo.site/w/1000/i/493411bb5901cfd0b20916b52c5d3bc5b76a2eb8c806b7560147270a4c247c61/pidgin.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/7dadc2e413e580d77ccfe2a16ccc976f5c158b9c9544c0f78419a66487f02d36/stoa.png" data-mid="227399957" border="0" data-no-zoom="true" alt="STO&Agrave; n.9&quot;Walking as Disruption&quot;" data-caption="STOÀ n.9&lt;br&gt;&lt;br&gt;&quot;Walking as Disruption&quot;" src="https://freight.cargo.site/w/1000/i/7dadc2e413e580d77ccfe2a16ccc976f5c158b9c9544c0f78419a66487f02d36/stoa.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/a385e898e664c0eb5ce52b1e6375a95d9150757a407f79cd6e82bd908d4c0eff/acsa111.png" data-mid="227400669" border="0" data-no-zoom="true" alt="ACSA 111 Proceedings&quot;Corpus Comunis: Precedent, Privacy, and the United States Supreme Court&quot;" data-caption="ACSA 111 Proceedings&lt;br&gt;&lt;br&gt;&quot;Corpus Comunis: Precedent, Privacy, and the United States Supreme Court&quot;" src="https://freight.cargo.site/w/1000/i/a385e898e664c0eb5ce52b1e6375a95d9150757a407f79cd6e82bd908d4c0eff/acsa111.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/467ebef957f060c3020e987bcc6943090c8c1fa0661da10215699eaafe7d086a/stilllife.png" data-mid="227399956" border="0" data-no-zoom="true" alt="Platform 9: Still Life&quot;Drawing Props: Rare Books Library&quot;" data-caption="Platform 9: Still Life&lt;br&gt;&lt;br&gt;&quot;Drawing Props: Rare Books Library&quot;" src="https://freight.cargo.site/w/1000/i/467ebef957f060c3020e987bcc6943090c8c1fa0661da10215699eaafe7d086a/stilllife.png" /> <img width="4197" height="4197" width_o="4197" height_o="4197" data-src="https://freight.cargo.site/t/original/i/aab77f8f2d75e75139dbf37f5aa684f7c60692a8e1f5ae79103e0d76c81f1380/howaboutnow.png" data-mid="227399952" border="0" data-no-zoom="true" alt="Platform 12: How About Now?&quot;Bodies We Built&quot;" data-caption="Platform 12: How About Now?&lt;br&gt;&lt;br&gt;&quot;Bodies We Built&quot;" src="https://freight.cargo.site/w/1000/i/aab77f8f2d75e75139dbf37f5aa684f7c60692a8e1f5ae79103e0d76c81f1380/howaboutnow.png" /> https://lindseykrug.com/About-LOK Wed, 15 Jun 2022 15:29:29 +0000 Lindsey Krug https://lindseykrug.com/About-LOK <img width="2894" height="2893" width_o="2894" height_o="2893" data-src="https://freight.cargo.site/t/original/i/0d217154cebebdd7250a97573d8db7a5a0b50ebad7faf2e510c283e0fd877587/Krug_headshot_sq.jpg" data-mid="151498003" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0d217154cebebdd7250a97573d8db7a5a0b50ebad7faf2e510c283e0fd877587/Krug_headshot_sq.jpg" /> Lindsey Olivia Krug Lindsey Krug (she/hers) is a designer and educator based between Chicago and Milwaukee, where she is an Assistant Professor of Architecture at the University of Wisconsin-Milwaukee School of Architecture and Urban Planning (SARUP). She holds a Bachelor of Arts from the University of Pennsylvania and a Master of Architecture from the Harvard University Graduate School of Design. Through the lens of the architectural user as a body in space, Krug studies how design solidifies and reinforces taboos, hierarchies, and inequities into built form, and positions architecture as a biopsying tool for unveiling tensions between spatial foibles and cultural conventions of identity, politics, and sociality. Krug’s research interests are organized around relationships between people and contemporary institutions born of American democracy and capitalism and their corresponding architectural manifestations and myths. Two such institutions of focus are the U.S. Supreme Court and the topic of privacy as it’s defined legally and architecturally, and Dollar General Corporation with its small-box retail empire. Krug has contributed to spatial research investigating human rights abuses against protesters in the 2014 Euromaidan protests in Ukraine, on-going and projected climate risks of melting permafrost in Russia, and relationships between gender, typology, and the architectural generic. Krug has previously practiced at WOJR, SITU Research, ODA, and Studio Gang. Krug’s design research project titled “Corpus Comunis: Precedent, Privacy, and the United States Supreme Court, in Seven Architectural Case Studies” was awarded the 2023 Best Peer-Reviewed Research Project by the ACSA College of Distinguished Professors. Krug was a co-recipient of the 2022 Course Development Prize in Architecture, Climate Change, and Society from the ACSA and the Columbia University Buell Center for the Study of American Architecture, and the 2023 Architectural League Prize by the Architectural League of New York. Most recently, Krug received the 2024 ACSA New Faculty Teaching Award, and the 2024 Rotch Traveling Fellowship, which awards one early-career architect with $40,000 to support travel for research. ︎︎︎ Email︎︎︎ InstagramStill bored? or Return to homepage. https://lindseykrug.com/EMAIL Tue, 09 Aug 2022 04:05:07 +0000 Lindsey Krug https://lindseykrug.com/EMAIL https://lindseykrug.com/Mobile-Menu Thu, 21 Jul 2022 02:55:04 +0000 Lindsey Krug https://lindseykrug.com/Mobile-Menu Lindsey Krug Home︎ Work: Dollar Gentle Cycle︎︎︎ Women Offer You Things︎︎︎ Bodies We Built︎︎︎ Mono Poly Dollar︎︎︎ Eat Where You Sh*t︎︎︎ Misfits : Outfitting︎︎︎ No Hollywood in the Midwest︎︎︎ Going Nowhere Fast︎︎︎ Save Our Soils︎︎︎ Ordinary Wormholes︎︎︎ Experiments in Public Freedoms︎︎︎ Gendered Generic︎︎︎ https://lindseykrug.com/Supreme-Privacy Wed, 08 Mar 2023 19:12:59 +0000 Lindsey Krug https://lindseykrug.com/Supreme-Privacy 01 Supreme Privacy EXH - RES <img width="4983" height="3322" width_o="4983" height_o="3322" data-src="https://freight.cargo.site/t/original/i/ba161fb789ab1753ce85dd608b27fdeba224d35ce39fd995ef7bcd3dce3d6b9a/LK-SP.jpg" data-mid="171043389" border="0" src="https://freight.cargo.site/w/1000/i/ba161fb789ab1753ce85dd608b27fdeba224d35ce39fd995ef7bcd3dce3d6b9a/LK-SP.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/fd6876dfbac1729ac179487e7fac68e0e647e9deea95e4260c0de086a8a5ff57/2022.FALL.SARUP-GALLARY_SUPREME-PRIVACY_LINDSEY-KRUG.2022-10-05-Photo-by-Abby-Platz-2.jpg" data-mid="171007293" border="0" src="https://freight.cargo.site/w/1000/i/fd6876dfbac1729ac179487e7fac68e0e647e9deea95e4260c0de086a8a5ff57/2022.FALL.SARUP-GALLARY_SUPREME-PRIVACY_LINDSEY-KRUG.2022-10-05-Photo-by-Abby-Platz-2.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/085946d1f09aad186e65633a6dcf9ff210c22642cd32cb2c3f3a9adb77a1b1e7/MODEL2.jpg" data-mid="171043118" border="0" src="https://freight.cargo.site/w/1000/i/085946d1f09aad186e65633a6dcf9ff210c22642cd32cb2c3f3a9adb77a1b1e7/MODEL2.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/67fd66710f7fc37851c291ad034c16d4d5f2b6d8d7d2464bc7f912afeb34c410/MODEL1.jpg" data-mid="171043119" border="0" src="https://freight.cargo.site/w/1000/i/67fd66710f7fc37851c291ad034c16d4d5f2b6d8d7d2464bc7f912afeb34c410/MODEL1.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/7e341ab1aca0731f1a890ad3a4071c91ffa27635e97c655f021a8950850b1024/MODEL3.jpg" data-mid="171043117" border="0" src="https://freight.cargo.site/w/1000/i/7e341ab1aca0731f1a890ad3a4071c91ffa27635e97c655f021a8950850b1024/MODEL3.jpg" /> DATE: &nbsp;&nbsp; 2022 Originally exhibited at the Jim Shields Gallery of Architecture and Urbanism. Milwaukee, WI, 2022. -- Exhibited as part of the Spatializing Reproductive Justice traveling exhibition. Milwaukee, WI, 2024-25 (Curated by Lori Brown, FAIA, Lindsay Harkema, Bryony Roberts, and FLUFFFF Studio; Exhibit designed by FLUFFFF Studio) Exhibited at the Ewing Gallery of Art and Architecture. Knoxville, TN, 2022-23. (Curated by Liz Teston) -- Presented at the Public Interiority Symposium at the University of Tennessee Knoxville. Knoxville,TN, 2023. Presented at the ACSA 111th Annual Conference. St Louis, MO, 2023.Awarded 2023 ACSA Annual Meeting Best Project Award. &nbsp; -- &nbsp; &nbsp; &nbsp;Research and installation assistance from Alana Dunne, Evan Johnson, Sarah Lunow, Nathan Magee, and Jacob Rohan&nbsp;Exhibition photographs by Abigail Platz Following World War II, as America grappled with the cultural revolution of the 1950s and 60s, and defining its identity domestically and on the world stage, a core tenet of American life bubbled to the surface of political, social, and aesthetic discourse: privacy. Once the revelry of the Allies’ win in the World War cooled into the precarity of the Cold War, American democracy and the culture it afforded its citizens were positioned and advertised, first and foremost, in opposition to the totalitarian government and culture of the Soviet Union.&nbsp; The notion of privacy - a shapeshifting term so commonplace it evades precise definition - would begin to take on different meanings and manifestations as its aura grew during this era and coincided with the socio-cultural landscape of the late 60s.The trajectory of American life would be forever shaped by this discourse, and Supreme Privacy looks at two layers of American infrastructure - law and the built environment - to explore delineations between privacy and publicness and related delineations between interiority and exteriority.&nbsp;Supreme Privacy explores seven legal-turned-architectural case studies through contemporary written and photographic evidence. The content of original SCOTUS rulings, historical press coverage, and open-access information available on Google Earth facilitate the production of digital mock-ups of the cases’ real architectural settings. For most cases, the exact building or structure where contested events took place is known; in others, a typological placeholder is created. Presented in the digital renderings of these constructed spaces is an architectural “boring sample.” A five-foot-wide cylindrical slice is excavated from each architectural set. The public is invited into private space where the layering of enclosure, furnishings, signage, and other architectural detailing reveals itself in sequence. The unifying cut joins these seven spaces not by typological or aesthetic architectural qualities but by the precedent of spatial privacy they establish as a set. These spaces are not remarkable, but they are relatable and familiar. They reveal the utterly ordinary architectural arrangements that have become historically significant via&nbsp; legalproceedings in the nation’s highest Court. The cases, proceeding chronologically, are as follows: I.&nbsp; &nbsp; Griswold v. Connecticut, 381 U.S. 479 (1965) is sited at 409 Orange St, New Haven, CT 06511 [see images 1 &amp; 2]. This wood-framed traditional New England two-story residence-turned-fertility clinic is where Estelle Griswold and Charles Buxton ran a reproductive health clinic, the Planned Parenthood League of Connecticut (PPLC). From here, they engaged in advocacy surrounding fertility counseling and awareness. Griswold was the PPLC Executive Director, while Buxton was the PPLC Medical Director and the Department Chair of Obstetrics &amp; Gynecology at Yale University. In addition to organizing border runs to New York and Rhode Island to help married couples obtain contraceptives that were illegal in Connecticut under the Comstock Law, Buxton and Griswold began distributing contraceptives directly from their clinic and were arrested nine days later in 1961. <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/38fe95e3b1a4ec3585d3950d0bc81494441a72a9dd345da6fe7d430e56d3ea6d/KRUG-SUPREME-PRIVACY_Page_2.jpg" data-mid="171018569" border="0" src="https://freight.cargo.site/w/1000/i/38fe95e3b1a4ec3585d3950d0bc81494441a72a9dd345da6fe7d430e56d3ea6d/KRUG-SUPREME-PRIVACY_Page_2.jpg" /> II.&nbsp; &nbsp; Eisenstadt v. Baird, 405 U.S. 438 (1972) is sited at Hayden Hall, 685 Commonwealth Ave, Boston, MA 02215 [see image 3]. Described as an “architectural monument to higher education,” in the style of modern Gothic, this masonry structure on the campus of Boston University (BU) is one of BU’s oldest auditorium spaces and where activist William Baird was invited to speak to students about reproductive health and justice. Following his 1967 speech, he gave a 19-year-old unwed student a condom and contraceptive foam and was immediately handcuffed for violating Massachusetts’ Crimes Against Chastity, Morality, Decency, and Good Order laws. <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b6ad3dd0b12174c73f466b36806716b221637b85a6409e0f30403c0fe13e3ee0/KRUG-SUPREME-PRIVACY_Page_3.jpg" data-mid="171018570" border="0" src="https://freight.cargo.site/w/1000/i/b6ad3dd0b12174c73f466b36806716b221637b85a6409e0f30403c0fe13e3ee0/KRUG-SUPREME-PRIVACY_Page_3.jpg" /> III.&nbsp; &nbsp; Roe v. Wade, 410 U.S. 113 (1973) is sited at a typological placeholder: an adoption agency in Dallas, Texas [see image 4]. This generic office space is where Henry McCluskey would’ve practiced as the attorney who helped Norma McCorvey (the previously anonymous plaintiff Jane Roe) organize the adoption of her second and third children from unplanned pregnancies. Though the face of abortion rights, McCorvey never had an abortion herself but sought one out during her third unplanned pregnancy in 1969. <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/bbb92e85861f0ca3832a83eede64c8565965d290e60d26db3bb61c72baac360a/KRUG-SUPREME-PRIVACY_Page_4.jpg" data-mid="171018571" border="0" src="https://freight.cargo.site/w/1000/i/bbb92e85861f0ca3832a83eede64c8565965d290e60d26db3bb61c72baac360a/KRUG-SUPREME-PRIVACY_Page_4.jpg" /> IV.&nbsp; &nbsp; Carey v. Population Services International, 431 U.S. 678 (1977) is sited at a typological placeholder: a post office in North Carolina [see image 5]. This generic shipping, sorting, and receiving facility is where mail-order contraceptives would have passed through in the 1970s once sent from the North Carolina-based corporation Population Planning Association to recipients in New York state, violating New York’s Education Law.<img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6a638adaf32f53db2d5a03c0e61a469a272a843aae47900bd0d4aca6e3bb7b17/KRUG-SUPREME-PRIVACY_Page_5.jpg" data-mid="171018572" border="0" src="https://freight.cargo.site/w/1000/i/6a638adaf32f53db2d5a03c0e61a469a272a843aae47900bd0d4aca6e3bb7b17/KRUG-SUPREME-PRIVACY_Page_5.jpg" /> V.&nbsp; &nbsp; Lawrence v. Texas, 539 U.S. 558 (2003) is sited at the Colorado Club Apartments, 794 Normandy St, Houston, TX 77015 [see image 6]. This triplex-style apartment complex in East Houston is where John Lawrence lived and spent time with his friend Robert Eubanks and Eubanks’ boyfriend Tyron Garner. Following a drunken disagreement in 1998, Eubanks called the police with false accusations against the other two men, resulting in four deputies showing up, entering Lawrence’s residence, and allegedly discovering Lawrence and Garner engaging in a sexual act violating Texas’s “Homosexual Conduct” law. Lawrence and Garner were arrested. <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c5f83bfdae495766a70ddc3a8f86c2b6da2cca7a93c972089ea490b662f4b2da/KRUG-SUPREME-PRIVACY_Page_6.jpg" data-mid="171018573" border="0" src="https://freight.cargo.site/w/1000/i/c5f83bfdae495766a70ddc3a8f86c2b6da2cca7a93c972089ea490b662f4b2da/KRUG-SUPREME-PRIVACY_Page_6.jpg" /> VI.&nbsp; &nbsp; Obergefell v. Hodges, 576 U.S. 644 (2015) is sited in a Learjet 45 airplane [see images 7 &amp; 8]. This small, business and medical jet model is a likely candidate for the type of plane flown by Ohio residents John Arthur and Jim Obergefell to be legally married on the tarmac of Baltimore/Washington International Thurgood Marshall Airport airport in Maryland. The State of Ohio did not allow same-sex marriage at the time, so as Arthur was terminally ill with amyotrophic lateral sclerosis (ALS) disease, the two men flew to be married in Maryland in 2013 to then petition for recognition of Obergefell as Arthur’s surviving spouse on his death certificate. <img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0f3aa672a5263cabb85b29d4e478b7241a0d6e5c7049a05dc1ac35b9f56a4af0/KRUG-SUPREME-PRIVACY_Page_7.jpg" data-mid="171018575" border="0" src="https://freight.cargo.site/w/1000/i/0f3aa672a5263cabb85b29d4e478b7241a0d6e5c7049a05dc1ac35b9f56a4af0/KRUG-SUPREME-PRIVACY_Page_7.jpg" /> VII.&nbsp; &nbsp; Dobbs v. Jackson Women’s Health Organization, 597 U.S. ___ (2022) is sited at the Jackson Women’s Health Organization (JWHO), 2903 N State St, Jackson, MS 39216 [see images 9 &amp; 10]. This pink stucco building, known as the Pink House, is surrounded by a tall wrought-iron fence covered in a black-out fabric screen. JWHO was the last women’s health clinic offering legal abortion procedures in the state of Mississippi. <img width="3001" height="3001" width_o="3001" height_o="3001" data-src="https://freight.cargo.site/t/original/i/604d765496306b78d3ba479c725fab6b775fd78a831e09061317bcd91ee3f99f/KRUG-SUPREME-PRIVACY_Page_8.jpg" data-mid="171018576" border="0" src="https://freight.cargo.site/w/1000/i/604d765496306b78d3ba479c725fab6b775fd78a831e09061317bcd91ee3f99f/KRUG-SUPREME-PRIVACY_Page_8.jpg" /> https://lindseykrug.com/Overstory Fri, 28 Feb 2025 00:06:30 +0000 Lindsey Krug https://lindseykrug.com/Overstory 02 Overstory EXH - RES <img width="2906" height="1937" width_o="2906" height_o="1937" data-src="https://freight.cargo.site/t/original/i/e428ade0fb837f20613ff4a81602cda1130bf6bda63f2db185ef051e60a75d5c/Camacho-Krug-Silling_Overstory_19.jpg" data-mid="227371050" border="0" src="https://freight.cargo.site/w/1000/i/e428ade0fb837f20613ff4a81602cda1130bf6bda63f2db185ef051e60a75d5c/Camacho-Krug-Silling_Overstory_19.jpg" /> <img width="3047" height="2031" width_o="3047" height_o="2031" data-src="https://freight.cargo.site/t/original/i/57756fa025c9421fc9b01e1c20148d888a8ad9625c5d8ed917fb117c98b8d084/IMG_4250-copy.jpg" data-mid="227371200" border="0" src="https://freight.cargo.site/w/1000/i/57756fa025c9421fc9b01e1c20148d888a8ad9625c5d8ed917fb117c98b8d084/IMG_4250-copy.jpg" /> <img width="3148" height="2099" width_o="3148" height_o="2099" data-src="https://freight.cargo.site/t/original/i/b57b8b2dcd43b4c1efb418425fe489971639e7a8acc8707b34107c9fc3969ecc/Camacho-Krug-Silling_Overstory_04.jpg" data-mid="227371849" border="0" src="https://freight.cargo.site/w/1000/i/b57b8b2dcd43b4c1efb418425fe489971639e7a8acc8707b34107c9fc3969ecc/Camacho-Krug-Silling_Overstory_04.jpg" /> <img width="3756" height="2504" width_o="3756" height_o="2504" data-src="https://freight.cargo.site/t/original/i/9b94d56f59085db79137fc8f766b4d95eb9fe25ade47f7cb0ab102c3614faaf7/Camacho-Krug-Silling_Overstory_09.jpg" data-mid="227371850" border="0" src="https://freight.cargo.site/w/1000/i/9b94d56f59085db79137fc8f766b4d95eb9fe25ade47f7cb0ab102c3614faaf7/Camacho-Krug-Silling_Overstory_09.jpg" /> <img width="5761" height="3840" width_o="5761" height_o="3840" data-src="https://freight.cargo.site/t/original/i/619780e12383ee022728459bc6f2f786e8d9200c93395d9bcce4475758d90aaf/IMG_3976_v2.jpg" data-mid="227371856" border="0" src="https://freight.cargo.site/w/1000/i/619780e12383ee022728459bc6f2f786e8d9200c93395d9bcce4475758d90aaf/IMG_3976_v2.jpg" /> <img width="3012" height="2008" width_o="3012" height_o="2008" data-src="https://freight.cargo.site/t/original/i/fa604f75a7809e8b16b7b68367ad87e3ec55ae7fb1681af7a95c01c216af2b36/Camacho-Krug-Silling_Overstory_01.jpg" data-mid="227371848" border="0" src="https://freight.cargo.site/w/1000/i/fa604f75a7809e8b16b7b68367ad87e3ec55ae7fb1681af7a95c01c216af2b36/Camacho-Krug-Silling_Overstory_01.jpg" /> DATE: &nbsp;&nbsp; 2024 Collaboration with Andres Camacho and Bradley SillingCommunity partner: Sinai Hospital Additional contributions and support from&nbsp;Goodfriend Magruder Structure, Unfettered Art &amp; Supply, and&nbsp;Chicago Canvas &amp; Supply -- Designed, built, and exhibited for the 2024 Chicago Sukkah Design FestivalThe festival is curated, organized, and supported by Could Be Design, Architecture for Public Benefit, Lawndale Pop-Up Spot, Open Architecture Chicago, and Stone Temple Baptist Church The North Lawndale neighborhood in Chicago has a rich history as a new home base for waves of migrating peoples arriving in the city over the past two centuries. This layered history can be read across the neighborhood fabric and nowhere is this more legible than in the porches of residential buildings that comprise this community. Stoops are adorned with plants, religious markers, and household objects that reflect Lawndale’s cultural diversity. In the heart of the neighborhood is Sinai Hospital. The hospital was founded in 1919 and has continued to evolve to meet Lawndale’s health needs. It is a vital community resource, but the imposing presence of its ever-growing campus makes it out of scale with its neighbors, particularly along its south perimeter on a shady, tree-lined residential street. Commissioned for the Chicago Sukkah Design Festival, this pavilion was co-designed with Sinai staff and caregivers as well as local high school students participating in Sinai’s summer immersion program with the goal of providing a public stoop and canopy for the hospital’s “backyard” to break down its institutional scale. In the same way Sinai Hospital acts as the overstory—the protective layer—for the Lawndale community, this sukkah opens up to the neighborhood on all sides and welcomes us to gather under its elevated canopy. The sukkah provides a community stoop for Sinai Hospital’s bustling campus. Under the canopy, seating takes a cue from the porches of nearby residential buildings along West 15th Place, offering a new outdoor space where everyone can reflect and gather. Just as the hospital has evolved to meet North Lawndale’s needs, this pavilion aspires to be a backdrop for the lives of those who give and receive care, as well as for the many people who continue to shape the Sinai campus and the broader Lawndale community. On the stoop you might find a nurse taking lunch, a visitor awaiting test results, a volunteer offering fresh flowers, or a passerby stopping to rest among neighbors. <img width="9000" height="25500" width_o="9000" height_o="25500" data-src="https://freight.cargo.site/t/original/i/b489d18e4dff8bd3cfe110b1206ecec15f942aeb3bc72a98fa5ea1f507434fec/Assembly-Sequence_v5.jpg" data-mid="227371794" border="0" src="https://freight.cargo.site/w/1000/i/b489d18e4dff8bd3cfe110b1206ecec15f942aeb3bc72a98fa5ea1f507434fec/Assembly-Sequence_v5.jpg" /> &nbsp; &nbsp; &nbsp; https://lindseykrug.com/Dollar-Gentle-Cycle Mon, 08 Aug 2022 19:39:17 +0000 Lindsey Krug https://lindseykrug.com/Dollar-Gentle-Cycle 04 DOLLAR GENTLE CYCLE EXH - RES <img width="3120" height="2080" width_o="3120" height_o="2080" data-src="https://freight.cargo.site/t/original/i/9d78ef249e4279ef835de0e33a706c3caf5ea5b3a126775d8919182a9030d32f/DSCF8386_ed2.png" data-mid="149949771" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/9d78ef249e4279ef835de0e33a706c3caf5ea5b3a126775d8919182a9030d32f/DSCF8386_ed2.png" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/1bd6a6c21b796dc4423fc62e96cd62b6a0a23d57c7e1918b318a9419a4f6ebc3/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-07.jpg" data-mid="149923373" border="0" src="https://freight.cargo.site/w/1000/i/1bd6a6c21b796dc4423fc62e96cd62b6a0a23d57c7e1918b318a9419a4f6ebc3/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-07.jpg" /> <img width="4538" height="3025" width_o="4538" height_o="3025" data-src="https://freight.cargo.site/t/original/i/f9280bd992fd5e711f8e98ba553301862bf4ac257224c58234ff1a79074dde74/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-21.jpg" data-mid="149949963" border="0" src="https://freight.cargo.site/w/1000/i/f9280bd992fd5e711f8e98ba553301862bf4ac257224c58234ff1a79074dde74/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-21.jpg" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/ee59b673c419880c8cce65043a0c6169a1d2862f66f8b737394fce5213831b1c/sm_2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-06.jpg" data-mid="149949943" border="0" src="https://freight.cargo.site/w/1000/i/ee59b673c419880c8cce65043a0c6169a1d2862f66f8b737394fce5213831b1c/sm_2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-06.jpg" /> <img width="3071" height="4607" width_o="3071" height_o="4607" data-src="https://freight.cargo.site/t/original/i/af202e3fb0da2eda3c4ede3a2e057a4aeabbee3a477da6fce9229cbb17e21255/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-10.jpg" data-mid="149923468" border="0" src="https://freight.cargo.site/w/1000/i/af202e3fb0da2eda3c4ede3a2e057a4aeabbee3a477da6fce9229cbb17e21255/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-10.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/db578b3ff3c9d376178cc603a7427cbd54b2ac9ff0e0e49f3a932254be340e29/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-05.jpg" data-mid="149923217" border="0" src="https://freight.cargo.site/w/1000/i/db578b3ff3c9d376178cc603a7427cbd54b2ac9ff0e0e49f3a932254be340e29/2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-05.jpg" /> <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/a4cf6ba28aedf6bad975b782fe3916ca802b0a916f380e755dc4faaade5a81d4/sm_2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-25.jpg" data-mid="149949942" border="0" src="https://freight.cargo.site/w/1000/i/a4cf6ba28aedf6bad975b782fe3916ca802b0a916f380e755dc4faaade5a81d4/sm_2022.SPRING.DOLLAR-GENTLE-CYCLE.05.02.22-Photo-by-Abby-Platz-25.jpg" /> DATE:&nbsp; &nbsp; 2022 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Collaboration with Sarah Aziz Exhibited at the Mobile Design Box Gallery in Milwaukee, WI -- Research and design assistance from Natalie Kuehl, Jacob Rohan, Franziska Burkard, Ryan Bramlett, and Marshall Reilly&nbsp; UWM students enrolled in the Spring 2022 seminar titled Mono-Poly-Dollar, taught by Lindsey Krug, also contributed content to the exhibition Photographs by Abby Platz Dollar Gentle Cycle (DGC) is a pop-up exhibition that gently cycles the resources of UW-Milwaukee’s School of Architecture and Urban Planning through Dollar General Corporation (DG) in a vacant retail space on Milwaukee’s Historic Mitchell Street - where the two organizations are neighbors - to understand the extent to which both institutions push resources back into the communities they purport to serve. As the only school of architecture in Wisconsin and the foremost dollar store in the region, SARUP and DG play critical roles in influencing large-scale commercial practices and mom-and-pop-corner-shop small-scale domestic realities across the Midwestern United States. Workers from every DG store in Wisconsin were polled and consolidated donation lists from community support groups on Mitchell Street and around Milwaukee were compiled to glean insights into the type of dollar store items that facilitate civic life in the city. Krug and Aziz used resources from SARUP to purchase each of the requested items in bulk from Dollar General. The products are on display in a faux Dollar General in a storefront leased by SARUP’s Mobile Design Box and adjacent to Dollar General store #19014, and were made available for collection by the DG workers and organizations Krug and Aziz consulted. The project builds upon Milwaukee’s history of using retail operations to challenge the standardization imperative and blur categorical distinctions between economy, belonging, and commodity; this legacy extends from Clarence Saunders’ Piggly Wiggly system for human and object automation to James Wines’ BEST Supermarket on Brown Deer Road. By folding the institutional ecologies of higher education into the physical spaces of America’s fastest-growing retail empire, the exhibition functions as an interlocutor that compresses the flow of object and building life cycles, labor practices, resource distribution, and logistics management, putting them into conversation with each other. Dollar Gentle Cycle was made possible with the generous support of the University of Milwaukee School of Architecture and Urban Planning Fitzhugh Scott Fellowships, along with the UWM Office of Undergraduate Research, SARUP’s Mobile Design Box, the ACSA, and a team of collaborators and contributors from UWM, the University of Colorado Denver, and Dollar General. <img width="6896" height="3446" width_o="6896" height_o="3446" data-src="https://freight.cargo.site/t/original/i/585ba88e6e1741347c88fbb412f1064702022394afbb38d8757218a55ae8a741/DGC_Entry-Sign.jpg" data-mid="149925194" border="0" src="https://freight.cargo.site/w/1000/i/585ba88e6e1741347c88fbb412f1064702022394afbb38d8757218a55ae8a741/DGC_Entry-Sign.jpg" /> https://lindseykrug.com/Sobremesa Thu, 09 Mar 2023 01:44:46 +0000 Lindsey Krug https://lindseykrug.com/Sobremesa 05 SOBREMESA EXH - RES <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a6cfc81af59ca4d19cb8c4c234365cc6ab579253c9c14014e9f671461d422463/sm2.jpg" data-mid="172488070" border="0" src="https://freight.cargo.site/w/1000/i/a6cfc81af59ca4d19cb8c4c234365cc6ab579253c9c14014e9f671461d422463/sm2.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/87d93aadf4533d15b734b9848cd6b6c418270d2c626e2adc46093d569e2663f5/sm3.png" data-mid="172488035" border="0" src="https://freight.cargo.site/w/1000/i/87d93aadf4533d15b734b9848cd6b6c418270d2c626e2adc46093d569e2663f5/sm3.png" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6b9f650279e84188810eddb1598f90ff3d57c041c4362444af5628af6c88d322/sm4.jpg" data-mid="172488073" border="0" src="https://freight.cargo.site/w/1000/i/6b9f650279e84188810eddb1598f90ff3d57c041c4362444af5628af6c88d322/sm4.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d908f976595a1e6beb5857ef8d87df71a4856c68f8390f22bd86f2a8d014d778/sm5.png" data-mid="172488036" border="0" src="https://freight.cargo.site/w/1000/i/d908f976595a1e6beb5857ef8d87df71a4856c68f8390f22bd86f2a8d014d778/sm5.png" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8af20f43ef2f9e86a57b36cbebb203c7add94ac6a425ac6af76451960df88725/sm6.jpg" data-mid="172488076" border="0" src="https://freight.cargo.site/w/1000/i/8af20f43ef2f9e86a57b36cbebb203c7add94ac6a425ac6af76451960df88725/sm6.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cf3f082291759de49c1d2c59a602f65fb6ec3d52e11ad71e60c0591b092f56f6/sm1.png" data-mid="172488034" border="0" src="https://freight.cargo.site/w/1000/i/cf3f082291759de49c1d2c59a602f65fb6ec3d52e11ad71e60c0591b092f56f6/sm1.png" /> DATE:&nbsp; &nbsp; 2023 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Collaboration with Andres Camacho and Bradley Silling Sobremesa is a 9 x 9-meter pavilion with 9 tables at Alameda Central in Mexico City.&nbsp; Amid months of confinement to our homes, we established new relationships between our bodies, our possessions, and our spaces. Some of us were isolated in spaces that felt cavernous without family and friends. Others struggled to find peace in newly overcrowded spaces. As we return to our more public lives, new questions emerge concerning how we want to live at home, how much of our lives can fit into our limited spaces, and how our changing routines put new pressures on our domestic spaces. What does it mean to find a home that fits? With Sobremesa’s custom tables and stools – pairings of tables and rooms present a spectrum of relationships between body, object, and space. Some fits are awkwardly tight, others are unpleasantly loose. Sometimes the table is too small to be useful, sometimes it’s big enough to dance on. As one table brings you intimately close to your companions, another dramatically separates you from your partner. Simple wood-frame construction is activated by bold color to illustrate individual rooms and their relationships to adjacent spaces. From one angle, the pavilion’s top edge shifts up to present a familiar domestic face. From another, it slides down to reveal an uncanny view into scenes of gathering. The table-room relationships line up along two axes for public views across a gradient of configurations. Frames within frames capture a cascade of interactions from big to small, from cramped to comforting. At these tables, we are invited to eat lunch with friends, watch a performance, or sit alone quietly as the city bustles on. In doing so, we try these spaces on for size and find unexpected ways to share our table. https://lindseykrug.com/Women-Offer-You-Things Tue, 09 Aug 2022 02:59:03 +0000 Lindsey Krug https://lindseykrug.com/Women-Offer-You-Things 06 Women Offer You Things EXH - RES <img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/b60f6128da6bce2cc64a5f3621075bf73bc7973c887cdee5eff25e3c4031dba8/gugg-h-02.png" data-mid="149949527" border="0" src="https://freight.cargo.site/w/1000/i/b60f6128da6bce2cc64a5f3621075bf73bc7973c887cdee5eff25e3c4031dba8/gugg-h-02.png" /> <img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/2d78844233728140e04ede99e9ab20637009115099a53732d7f0446ba7ab4e17/gugg-h-03.png" data-mid="149949576" border="0" src="https://freight.cargo.site/w/1000/i/2d78844233728140e04ede99e9ab20637009115099a53732d7f0446ba7ab4e17/gugg-h-03.png" /> <img width="1018" height="720" width_o="1018" height_o="720" data-src="https://freight.cargo.site/t/original/i/7d94ce62522687055c51fa6a42345a2e5119d0c25576c03c8049be3748aa120c/KrugLindsey_Semiotics_Final_Page_03.jpg" data-mid="149949208" border="0" src="https://freight.cargo.site/w/1000/i/7d94ce62522687055c51fa6a42345a2e5119d0c25576c03c8049be3748aa120c/KrugLindsey_Semiotics_Final_Page_03.jpg" /> <img width="1754" height="1241" width_o="1754" height_o="1241" data-src="https://freight.cargo.site/t/original/i/4ea62c2f369eea9c635ce03eb7204330e2eb978936a1f589d6c3cdbf6bb5fada/KrugLindsey_Semiotics_Final_Page_04.jpg" data-mid="149949209" border="0" src="https://freight.cargo.site/w/1000/i/4ea62c2f369eea9c635ce03eb7204330e2eb978936a1f589d6c3cdbf6bb5fada/KrugLindsey_Semiotics_Final_Page_04.jpg" /> <img width="1754" height="1241" width_o="1754" height_o="1241" data-src="https://freight.cargo.site/t/original/i/88d73fed4d22400d76c7f7a00ae10cb711c5f560a0679f6c6760322c677e6d40/KrugLindsey_Semiotics_Final_Page_05.jpg" data-mid="149949210" border="0" src="https://freight.cargo.site/w/1000/i/88d73fed4d22400d76c7f7a00ae10cb711c5f560a0679f6c6760322c677e6d40/KrugLindsey_Semiotics_Final_Page_05.jpg" /> <img width="1754" height="1241" width_o="1754" height_o="1241" data-src="https://freight.cargo.site/t/original/i/632aee1da21f45abc48763f3ad8ea7f618178d370e2156f0436d59763d2e824b/KrugLindsey_Semiotics_Final_Page_06.jpg" data-mid="149949211" border="0" src="https://freight.cargo.site/w/1000/i/632aee1da21f45abc48763f3ad8ea7f618178d370e2156f0436d59763d2e824b/KrugLindsey_Semiotics_Final_Page_06.jpg" /> <img width="1766" height="1249" width_o="1766" height_o="1249" data-src="https://freight.cargo.site/t/original/i/e653393ef163b87c5e20f73ae912ad9e7e2ce91a5bbddf0565e2da193768c146/KrugLindsey_Semiotics_Final_Page_07.jpg" data-mid="149949212" border="0" src="https://freight.cargo.site/w/1000/i/e653393ef163b87c5e20f73ae912ad9e7e2ce91a5bbddf0565e2da193768c146/KrugLindsey_Semiotics_Final_Page_07.jpg" /> <img width="2339" height="1654" width_o="2339" height_o="1654" data-src="https://freight.cargo.site/t/original/i/ed3d1f384af7ce38431545c0a75bcad36ea607c82184f98dab688822636e425e/KrugLindsey_Semiotics_Final_Page_11.jpg" data-mid="149949320" border="0" src="https://freight.cargo.site/w/1000/i/ed3d1f384af7ce38431545c0a75bcad36ea607c82184f98dab688822636e425e/KrugLindsey_Semiotics_Final_Page_11.jpg" /> <img width="2339" height="1654" width_o="2339" height_o="1654" data-src="https://freight.cargo.site/t/original/i/68d073dcfac851f392d119252a5de6735c67d539748a83a55c4492458487c7c3/KrugLindsey_Semiotics_Final_Page_12.jpg" data-mid="149949321" border="0" src="https://freight.cargo.site/w/1000/i/68d073dcfac851f392d119252a5de6735c67d539748a83a55c4492458487c7c3/KrugLindsey_Semiotics_Final_Page_12.jpg" /> <img width="1754" height="1241" width_o="1754" height_o="1241" data-src="https://freight.cargo.site/t/original/i/be457316cff2da0e11cf126f14f34b2fcf83ac6dd8315c834429e565b85712f7/KrugLindsey_Semiotics_Final_Page_34.jpg" data-mid="149949367" border="0" src="https://freight.cargo.site/w/1000/i/be457316cff2da0e11cf126f14f34b2fcf83ac6dd8315c834429e565b85712f7/KrugLindsey_Semiotics_Final_Page_34.jpg" /> <img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/799d52d3d3002ab0360db53dba6b8014dc60af5e895421ac6b9d4bc171e5aaf0/gugg-h-04.png" data-mid="149949526" border="0" src="https://freight.cargo.site/w/1000/i/799d52d3d3002ab0360db53dba6b8014dc60af5e895421ac6b9d4bc171e5aaf0/gugg-h-04.png" /> DATE:&nbsp; &nbsp; 2017-2020 Exhibited at the Guggenheim New York, as part of the&nbsp;Countryside, The Future exhibition curated by OMA/AMO &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Brings Out The Country In You!” reads the tagline for Country Woman Magazine. But who is she? As a media genre, magazines garner a web of criticism for their consumerist curation of stories, advertisements, and dissemination of unrealistic lifestyles. As artifacts, magazines catalog and shed light on their targeted audience, defining aspirations within that community and constructing images to be projected onto that community by outsiders. A survey of the lineage of Country Woman Magazine covers, printed bimonthly since 1970, tells a very particular story of the country woman. A pie, a chicken, a pumpkin, a roasted turkey, a potted plant, a teddy bear, a basket of flowers, a photo album, a rabbit, an armful of puppies, a selection of gourds, a cold beverage, always a smile, the list goes on. Nearly every cover until 2015 features a smiling woman offering something. Or, in the case of this American publication, the covers feature mostly white, American women of the countryside offering something. Echoed in the suggestion of biological inevitability from the magazine’s tagline (“Brings Out The Country In You!”), these offerings appear as proof of these women’s productivity, their worth, and their fertility in the countryside. Irish Country Magazine also often features women on its covers, but their dress, hair and makeup appear more cosmopolitan, and they are not making an offering. At first glance, female fertility and productivity seem absent from this image of the countryside but upon closer look, the covers are peppered with article titles such as “The race against time: the fertility taboo no one’s talking about,” “Pregnancy &amp; new beginnings,” or “The last taboo: women who can’t have sex.” The Chinese magazine 크닷겟慤繫 (translates to “Rural Knowledgeable” or “Know It All Countryside”) features men on their covers who also make offerings of small farm animals. From the imagery, stories, and advertisements hosted in these magazines, a number of gendered themes and commonalities emerge. Men are often depicted holding power tools, or in ads sitting idle on luxury sofas in front of luxury-but-still-rural fireplaces. Women are depicted in advertisements for kitchens, vacuums and other household items, or enjoying various crafts involving weaving, sewing, or cooking. Heterosexual monogamy is unanimous. The October 4, 2017 cover of Country Life Magazine reads: “Why a love of the countryside is in our genes.” This collection of images is taken from country-themed magazines from various countries in an attempt to unpack biology, gender, and sexuality as they are culturally constructed for countryside communities and embedded in our ever-evolving understanding of the countryside.